๐๐ฒ๐๐ป๐ฎ๐ฎ ๐ฌ๐ฒ ๐๐ผ๐ผ๐ฟ๐ฒ๐ฟ ๐๐ต๐ผ๐๐ป๐ถ ๐ญ๐ฎ๐ฟ๐ฎ๐ถ ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ,
๐๐๐ฎ ๐๐ฎ๐ฟ'๐ฒ ๐ง๐ต๐ผ๐๐๐ต๐ฎ๐บ ๐ญ๐ฎ๐ฟ ๐ญ๐ฎ๐ฟ๐ฎ๐ถ ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
๐๐ถ๐น ๐ธ๐ต๐ฎ๐๐๐ฒ ๐ธ๐ฎ๐ฟ๐๐ต๐ฎ๐, ๐ป๐ฎ๐ ๐ธ๐๐ฎ ๐ฐ๐ต๐ฎ๐ถ ๐ฟ๐ผ๐๐ฝ๐ฒ ๐๐ฒ๐ป๐,
๐๐ต๐ฎ๐บ๐๐ต๐ฎ๐ถ๐ฟ ๐๐ฎ๐บ ๐๐ต๐ฎ๐ถ๐ฟ ๐บ๐ฎ๐ฟ๐ฒ๐๐ต ๐ธ๐ต๐ฎ๐ป๐ท๐ฎ๐ฟ๐ฎ๐ถ, ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
๐๐ถ๐น๐ฏ๐ฎ๐ฟ ๐ฎ๐ฐ๐ตโ๐๐ผ ๐บ๐๐ฎ๐ป๐ถ ๐ฏ๐ฎ๐ฟ๐ฎ๐ถ, ๐ฑ๐ต๐ฒ๐ ๐ฏ๐ฎ๐ฟ๐ฎ๐ถ ๐ฑ๐ต๐ฒ๐ป,
๐๐๐ฒ๐ถ ๐ฟ๐ผ๐๐ ๐ด๐๐น ๐๐ฎ๐ป ๐ด๐ฎ๐๐ฒ๐๐ฎ๐ถ ๐ฏ๐ฎ๐ฟ๐ฎ๐ถ, ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
๐ฆ๐ต๐ฎ๐ต๐บ๐ฎ๐ฎ๐ฟ ๐๐๐น๐ณ๐ฎ๐, ๐ป๐ฎ๐ฎ๐น ๐๐ผ๐น๐ต๐ฎ๐บ, ๐ฟ๐ผ๐ผ๐ฑ๐ต ๐ฎ๐ณ๐๐ฎ๐ฎ๐ป๐ฎ๐ถ.
๐ช๐๐ผโ๐ป ๐๐ฎ๐ป๐๐ฒ ๐ธ๐ฎ๐บ ๐ฎ๐ณ๐๐ฎ๐ฎ๐ป ๐ฝ๐ฎ๐ฟ๐ฎ๐ถ, ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
๐๐ป๐ถ ๐ด๐ฎ๐๐ถ ๐๐ฎ๐ป๐ถ ๐ป๐ฒ๐บ ๐ป๐ฎ๐ป๐ถ ๐ธ๐ฎ๐๐ต๐ฎ๐ถ ๐น๐ฎ๐ฎ๐น ๐ณ๐ฎ๐ฟ๐ผ๐ผ๐๐ต๐ฎ๐,
๐๐ฎ๐ป๐ถ ๐ ๐ฎ๐ป๐ ๐๐ฟ๐ฎ๐ฎ๐บ๐ผ๐ผ ๐๐ฎ๐๐ต๐ฎ๐ฟ๐ฎ๐ถ, ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
๐๐๐ฒ๐ตโ๐๐ฒ ๐ช๐๐ฒ๐โ๐ฒ ๐ฅ๐ผ๐ผ๐๐๐ต๐ฎ๐ ๐๐๐ฒ ๐ฅ๐ผ๐๐โ๐๐๐ฒ๐ผ, ๐ช๐๐ฒ๐โ๐ฒ ๐๐ฎ๐บ๐ผ ๐๐ต๐ฎ๐ถ,
๐ง๐ฒโ๐บ๐ฒ ๐๐ฎ๐ฎ๐ป๐ถ ๐ธ๐ต๐ผ๐ ๐ฐ๐ต๐ฎ ๐๐ผ๐๐ป๐ฑ๐ฎ๐ฟ๐ฎ๐ถ, ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
๐ฆ๐ต๐ฎ๐ฟ๐บ๐ฎ๐ป๐ฑ๐ฒ ๐ง๐ต๐ฎ๐๐๐ต๐ฎ๐ ๐๐ฎ๐ณ๐๐ฎ๐ฏ๐ผ, ๐๐ฒ๐บ๐ถ ๐๐ฎ๐ฎ๐น๐ถ ๐๐ต๐ถ ๐ญ๐ผ๐ผ๐ป,
๐๐ฎ๐น๐ถ ๐๐ต๐ฎ๐ป๐ถ ๐๐ฎ๐ฒ๐ท ๐ฆ๐ผ๐ผ, ๐๐ฎ๐ฒ๐ท ๐ฆ๐ฒ๐ถ ๐๐ฎ๐ฟ๐ฎ๐ถ, ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
๐๐ผ ๐ฆ๐ต๐ฎ๐ฟ๐บ๐ถ ๐๐ฎ๐ท๐ฒ๐ ๐ฆ๐ต๐ฎ๐ฟ ๐ ๐ฒ๐ฎ ๐๐ผ๐๐๐บ๐ผ ๐๐ฎ๐ฟ ๐ ๐ฒ๐ฎ ๐ญ๐ผ๐ผ๐ป๐๐บ ๐๐ฒ๐,
๐๐'๐ฒ ๐๐ผ๐๐ฟ ๐ ๐ฒ๐ฎ ๐๐ฎ๐ฟ๐บ๐ฎ๐ถ ๐๐ผ๐๐ป ๐ฆ๐ฎ๐ฟ๐ฎ๐ถ, ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
๐๐ต๐๐บ ๐ธ๐ต๐ผ๐ผ๐ณ๐ฒ ๐๐ถ๐น๐ฎ๐ ๐ฃ๐ฎ๐๐ฒ ๐๐ฎ๐ฎ๐๐ฎ๐ถ ๐๐ต๐ฒ ๐๐ฟ๐ผ๐ป๐๐ต๐ฒ ๐ก๐ฎ๐ฎ๐น๐ฎ๐ ๐ง๐ต๐ฎ๐ณ,
๐๐ฎ๐ฎ๐บ๐ฎ๐ฎ๐ป๐ฒ ๐ฅ๐ฎ๐๐ฎ๐ถ ๐ฅ๐ผ๐ผ๐ ๐ ๐ฎ๐ต๐๐ต๐ฒ๐ฟ๐ฎ๐ถ, ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ.
"๐ฅ๐ผ๐๐๐น ๐ ๐ฒ๐ฒ๐ฟ" ๐ฑ๐ผ๐น๐๐ต๐ฎ๐ป ๐๐ผ๐ผ๐น๐ฒ ๐ต๐ฒ๐๐ฎ๐ถ ๐ธ๐ผ๐น๐น๐ฒ ๐บ๐ฎ๐๐ฎ ๐ฑ๐ฎ๐น,
๐๐ฎ๐ต๐ฎ ๐๐ผ๐ผ๐น๐ฒ ๐ ๐ฎ๐ ๐๐ถ ๐ฃ๐๐ฎ๐ฎ๐น๐ฒ ๐๐ฎ๐ฟ๐ฎ๐ถ ๐๐ฎ๐ฎ๐น ๐ ๐ฎ๐ฟ๐ฎ๐ฒ๐๐ผ !
๐๐ข๐ง๐ ๐๐ซ : ๐๐๐๐ฎ๐ฅ ๐๐๐ฌ๐ก๐ข๐ ๐๐๐๐ข๐ณย
๐๐จ๐๐ญ : ๐๐๐ฌ๐ฎ๐ฅ ๐๐ข๐ซ
"๐ฅ๐ฎ๐๐๐น ๐ ๐ถ๐ฟ"ย also known as Rasul Mir Shahabadi, heย was an eminentย poetย of Kashmir in the 19th century.ย By nature, he was a romantic poet. Like Wordsworth, he was also a great lover of natural beauties.ย He wasย was born in Mirmadan Dooru Shahbad (a historic town in Anantnag district of Kashmir)ย in 1840.ย He is often referred to as imฤm-e-ishqiya shairi' for his literary contribution to Kashmiri romanticism.ย
Mehmood Gami was his neighbour. One day, Mehmood Gami had foretold that Rasul Mir would die very young. He died at the young age of 31 years only like the eminent English poet, John Keats (d 1821), who died at 25 only.
Rasul Mir composed only 62 poems in his short span of life but his poetry is one of the richest contributions to the Kashmiri poetry. Some say that he composed 110ย Gazals. However, a more reliable and authentic source writes that he wrote 67 poems or 79 poems in Kashmiri. Of 79, the authorship of four is doubtful, so the remaining 75 poems are genuinely attributed to the poet.
His poems are mostly romantic Kashmiriย Gazalsย which have earned him a permanent place in the history of Kashmiri literature. His pro-feminist poem isย Gastivesiye lal mah doorei, which had a connection with his love. The poem aptly describes the woes of a lady caught in a dilemma, it is said. A Kashmiri academician has drawn a comparison between him and John Keats. Doubtless, he was the most romantic poet of the early nineteenth century.
Rasul Mir has certainly the sweetness of rich poetic words and melodious tunes in his poetry. See, for example,ย ย Eid Ayi Ras e Rase, Eidgah Vasviโฆ O, my God, such bead of beautiful, thrilling and enchanting everlasting song. Even if Kashmiri Muslims are not going to Eidgahs on blessed occasions of Eid festivals now but it is a Sunnah. It gives one a touch of real traditions and culture overwhelming the land. His selection of rhyming words is par excellence.
It is a recorded fact that he in his very young growing adult age was enchanted by his lady love. However, in one of his poems, he asked โฆ..for ambrosia, an eternal food for his changed thoughts. Iterating he died very young, though Abdul Ahad Azad has said that he died in 60 or 70 years of age. But the overwhelming majority hold that he died at a tender age.
When Rasul Mir was a boy, he was sent to aย Maktabย (school of those days) in his village to learn Persian and Arabic. The boys and girls of his village and other adjoining villages received education in theย Maktab. There was a Pandit girl in theย Maktab. Her name was Kongi or Kong (saffron). She was fair and extremely beautiful. He too was beautiful. He was attracted by the childlike extraordinary charms of Kongi. They became intimate playmates at theย Maktab. His heart and mind were filled with poetic frenzy. With the passing days, the childhood frolic changed into deep love. But, then, one day parents of Kongi married her to another man. This dealt a merciless blow to his desires and dreams. He became lovelorn and in separation and estrangement, he wandered on moonlit nights and often would talk in poetic tune to his lady love.
The two most popular folksongs orย Gazals of Rasul Mir areย Rindi Poshmal Ghindini Drayi Lo Loย (My carefree beloved goes out to frolic) andย Kongi Hav Ti Paanย (Kongi, My Love, I am dying for a glimpse of you). These poems depict his yearning for his beloved, Kongi, like John Keats of England for Fanny Brawne who was also Keatsโs neighbour.
Unfortunately at a very young age of 30 in 1870 Rasul Mir passed away leaving behind his legacy and many memorable Kahsmiri Poerty which is still remembered & sung even after a century passed !