Video, concept, keyboards etc. by Michael Koch. PDF-BUNDLE available on my PATREON: https://www.patreon.com/posts/pdf-bundle-on-91012271?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link As this video contains really a lot of different stuff I’m gonna give a short overview of what you can expect: After I rambled a bit on the differences between Corelli and the designated counterpoint overlord I’m gonna draw some cadence patterns from a slow mvt. by Corelli, explain how to conceptualize and practice those and finally how to detect and apply those patterns in three original Partimenti. I will show an attempt of me drawing a figuration prelude from Corelli’s original bass and eventually close the video with a more general reflection on a baroque concept of tonality. Chapters: 00:00 On Corelli and Bach in general 03:37 Checking out Corelli's "Grave" from Op. 1, No. 10 04:52 Cadenza Doppia keyboard tutorial 07:48 The 3 Corellian standard Double Cadences 08:25 Cadence Parcours to train these 08:59 Tutorial on Doppias on the tied bass in 3 original Partimenti 11:20 Drawing a Figuration Prelude from Corelli's "Grave" 12:37 On a baroque concept of tonality and the Rule of the Octave Link to Johannes Menke's article on the Doppia that includes his chart of alternative basses: https://www.gmth.de/zeitschrift/artikel/654.aspx