Album available // Dinu Lipatti: The Last Recital at Besançon
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00:00 Applause and Opening Arpeggios in B-flat Major
Johann Sebastian Bach (1685-1750) Partita No. 1 in B-flat Major, BWV 825
00:40 I. Praeludium
02:20 II. Allemande
04:55 III. Courante
07:50 IV. Sarabande
12:30 V. Menuets I & II
15:21 VI. Gigue
18:49 Speaker's presentation, Applause and
Opening Arpeggios in B-flat Major and E Dominant seventh chord
Wolfgang Amadeus Mozart (1756-1791) Piano Sonata No. 8 in A minor, K. 310
19:26 I. Allegro maestoso
24:44 II. Andante cantabile con espressione
30:42 III. Presto
34:50 Speaker's presentation, Applause and
Opening Arpeggios in A minor to D-flat Dominant seventh chord
Franz Schubert (1797-1828)
36:42 4 Impromptus, Op. 90, D. 899: No. 3 in G-flat Major
41:46 4 Impromptus, Op. 90, D. 899: No. 2 in E-flat Major
47:28 Speaker's presentation, Applause and Opening Arpeggios in E-flat Major
Frédéric François Chopin (1810-1849)
48:04 Waltz No. 5 in A-flat Major, Op. 42
51:32 Waltz No. 6 in D-flat Major, Op. 64, No. 1 "Minute"
53:07 Waltz No. 9 in A-flat Major, Op. Posth. 69, No. 1 "Farewell"
56:21 Waltz No. 7 in C-sharp minor, Op. 64, No. 2
58:11 Waltz No. 11 in G-flat Major, Op. Posth. 70, No. 1
59:35 Waltz No. 10 in B minor, Op. Posth. 69, No. 2
1:02:34 Waltz No. 14 in E minor, Op. Posth.
1:04:50 Waltz No. 3 in A minor, Op. 34, No. 2
1:08:19 Waltz No. 4 in F Major, Op. 34, No. 3
1:10:22 Waltz No. 12 in F minor, Op. Posth. 70, No. 2
1:11:42 Waltz No. 13 in D-flat Major, Op. Posth. 70, No. 3
1:13:34 Waltz No. 8 in A-flat Major, Op. 64, No. 3
1:16:15 Grande Valse Brillante in E-flat Major, Op. 18
Piano: Dinu Lipatti
Recorded in 1950, at Besançon (France)
New mastering in 2023 by AB for CMRR
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Noël Boyer, present on the 16t of September 1950, related his memories of that day: « Dinu Lipatti was programmed for the afternoon at the Parlement around 4 o’clock. He had arrived that morning. The recording, or rather the broadcast, was being done live; and a half-hour before the audience arrived at the Salle du Parlement, we learnt that Lipatti was at his hotel, felled by an attack.
Madeleine Dinu Lipatti was obviously at his side in a state you can imagine, and a miracle occurred: exactly five minutes before the announcement of the concert, we saw Dinu Lipatti arrive, supported by his admirable wife, and I say well supported because he could barely walk.
A half-hour earlier, the doctors were still at his bedside, giving him shot after shot. It was lovely weather, very hot. An armchair had been prepared for us in the small room that served as our studio, as well as a rest studio for all the artists who gave recitals in the Salle du Parlement. An armchair had been set up, and in front of it, three electric heaters; a woollen blanket awaited Dinu Lipatti who, wan and shivering in a cold sweat, was sprawled in this armchair.
When it came time to play, we were still hesitating over going on the air and making the announcement. But inexorably, the time had come. And that's when the miracle of music occurred: at that moment, throwing back the blanket, standing, pushing the electric heaters aside, Dinu Lipatti, with a firm, lively, assured step, walked to his piano. And it can truly be said that, at that moment, music was a veritable breath of life for Dinu Lipatti. Between each [group of] piece[s], he came and collapsed in this armchair. He was given a shot, he was given a cordial, and off he went again to play. »
COMPLETE PRESENTATION: LOOK THE FIRST PINNED COMMENT
Chopin: 14 Waltezs, Barcarolle, Nocturne, Mazurka by Dinu Lipatti
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