A slow exploration of Raag Marwa on the Bağlama Saz and Bass Guitar
In memory of my dear friend, Dima Karabchievsky (https://karabchievsky.com/about-2/)
Bağlama Saz and Bass Guitar by Anand Sahasranaman (@sazbasser )
Tanpura from George Howlett's @world-of-tuning
#raga #marwa
On Raag Marwa (from Raga Junglism’s Hindustani Raga Index):
Notable for omitting its own Sa for long stretches, the hexatonic Marwa conjures moods of ‘austere, spiritual renunciation’ – summoning these sentiments with low, slow lines which patiently outline the raga’s highly irregular … Its descent-dominant melodies … often tease at resolutions which never fully arrive …
More at: https://ragajunglism.org/ragas/marwa/