Many people struggle with not having enough time to draw. One way to get better faster is to maximize the efficiency of your practice sessions. You can apply the 80/20 rule to practice the most important 20% of the concepts many times instead of 100% just once. Setting a time limit with quicksketch painting forces you to eliminate the insignificant and focus on the crucial. In this vlog, I travel out to one of my favorite painting spots in San Diego to do a couple of quick painting studies.
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12 DAYS OF PROKO (Quicksketch Edition)
https://www.proko.com/12days
Day 1 - Kim Jung Gi: https://youtu.be/aoqu5SEFqRI
Day 3 - Sketching with Ink from Imagination: https://youtu.be/80yhjO8yLeE
Day 4 - Quickly Draw Heads - Loomis Part 1: https://youtu.be/wAOldLWIDSM
Day 5 - Draw ANY Head Type - Loomis Part 2: https://youtu.be/JC2ZppKHCq
Day 6 - Intuitive Portraits - Loomis Part 3: https://youtu.be/P9LOUHmPhS8
Day 7 - Meditation for Artists: https://youtu.be/MJYGFwGhHnA
Day 8 - Improve Your Sketching Speed: https://youtu.be/tSdAFmIFtfo
Day 9 - Painting Challenge: https://youtu.be/98Sma9WAtM8
Day 10 - The FORCE Method: https://youtu.be/JtaBjtAGsk0
Day 11 - Draw Using Reilly Rhythms: https://youtu.be/StRohW0Og3w
Day 12 - Speed Sculpting: https://youtu.be/H4WtpO8vfTU
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CREDITS:
Artist | Instructor | Producer - Stan Prokopenko (http://www.stanprokopenko.com)
Script - Stan Prokopenko
Production Assistance - Brandon Storer
Editing - Brandon Storer, Stan Prokopenko
Music Used with Permission
Additional music by Epidemic Sound (http://www.epidemicsound.com)
Intro - The Freak Fandango Orchestra
Sound Effects - http://www.freesfx.co.uk, https://freesound.org/people/klankbeeld
About Proko:
Instructional How to Draw videos for artists. My drawing lessons are approachable enough for beginners and detailed enough for advanced artists. My philosophy is to teach timeless concepts in an entertaining way. I believe that when you are having fun, you learn better. I take pride in producing high quality videos that you will enjoy watching and re-watching.