"Guillermo really wanted it to be a sort of Frankenstein-eqsue creation story." Guillermo del Toro's Pinocchio's puppet fabrication supervisor Georgina Hayns shows us how she make puppets for stop-motion animated films. How do you show the animated evolution of the wooden boy who has never learned to walk? From 3D printed joints to animated face replacement, Georgina takes us through her process of creating practical stop-motion puppetry for the animated Netflix film.
GUILLERMO DEL TORO’S PINOCCHIO is available to stream now on Netflix, https://netflix.com/pinocchio
Director: Jackie Phillips
Director of Photography: Paul Ramsey
Editor: Mana Tagami
Talent: Puppeteer: Georgina Hayns
Producer: Ashley Hall
Line Producer: Jen Santos
Associate Producer: Emebeit Beyene
Production Manager: Natasha Soto-Albors
Production Coordinator: Jamal Colvin
Director of Director of Talent: Lauren Mendoza
Camera Operator(s): Collin Lyons, Richard Lyons
Sound: John Gurney
Production Assistant(s): Chad Saddler
Post Production Supervisor: Edward Taylor
Post Production Coordinator: Jovan James
Supervising Editor: Kameron Key
Assistant Editor: Billy Ward
00:00 The Creation of Puppets in Guillermo del Toro's Pinocchio
00:32 Designing Pinocchio
01:32 Making Pinocchio
03:12 Pinocchio's Face
05:06 The Nose
06:43 Building Geppetto
08:52 Geppetto's Eyes
11:04 The Creatures
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