Do you want to level up when it comes to nailing and dialing in your exposure? Sit back, dive in, and let’s learn about what it takes. Over the years, I feel like I’ve started to create better, more professional-looking images by exposing them darker. Let me explain. If you have any questions, leave them in the comments below.
I did not mention zebras; I realize that people could be wondering about them. I didn’t mention them because I don’t use them very often, but when I do, depending on what camera I’m using, I set them to where the log curve clips. For Sony Slog3, I believe I have them set to 95%, which means that when I am shooting, if I see those zebras, I know to bring down the exposure and protect those highlights from clipping. That’s it!
Julien Jarry is a proven leader and passionate artist who creates visually stunning work and tells life-changing stories through photography and video. He and his team specialize in documentaries and commercials focused on communicating a message, casting a vision, and telling a story to accomplish goals such as raising money, awareness, and/or marketing a product or strategy. Julien's background in communication, hospitality, and production, paired with my high-level awareness and sensitivity, gives my clients and me unique experiences to draw.
Video Chapters
0:00 Intro
0:58 Comparing levels of exposure
3:20 Referencing movie frames
5:20 Ideal IRE for different skin tones
6:50 How exposure affects saturation
8:10 Utilizing your camera's exposure waveform
9:20 Exposing darker to highlight details
12:20 Importance of LUTs
13:30 Camera grading
15:15 Outro
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