Bengal Foundation
Songs of Rabindranath Tagore
♦️ রবীন্দ্রসংগীত ‘দুঃখ’ ♦️
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🔹Track List 🔹
1. Je Rate Mor Duarguli ▶️ 00:00
Artiste: Laisa Ahmed Lisa
Parjaay: Puja
Upa-parjaay: Dukkha
Taal: Dadra
Raag: Bageshree
Written on: 1914 (23 Phalgun 1320)
Place: Shantiniketan
Notation by: Dinendranath Tagore
2. Ebar Dukkho Amar ▶️ 04:54
Artiste: Sanjida Khatun
Parjaay: Puja
Upa-parjaay: Dukkha
Taal: Dadra
Style: Baul Sur
Anga: Baul
Written on: 1925
Notation by: Dinendranath Tagore
3. Aro Aghat Soibe Amar ▶️ 08:07
Artiste: Iffat ara Dewan
Parjaay: Puja
Upa-parjaay: Dukkha
Taal: Jot
Raag: Jhijhit Khambaj
Written on: 1910 (4 Asharh 1317)
Collection: Geetanjali
Notation by: Surendranath Bandopadhyay
Notes: This song was written on 18th June1910, at Shantiniketan.
Generally Rabindranath used to transfer his new compositions to Dinendranath Tagore; who, in turn would teach the song to others. Problem would arise if, for any reason, Dinendranath was not available. Such a situation had been described by Tejeshchandra Sen, a teacher of the early ages of Shantiniketan Brahma-vidyalaya in his memoire ‘Gayak Rabindranath’.
… Idea of a tune at night time would definitely mean concern. He would spare Dinendranath at night time. But to remember the tune was a priority. … Followers of Dinendranath were summoned.
In a similar situation Umacharan, a servant of Gurudev appeared at my quarters. Gurudev has summoned me to be present right now. I could quite feel my palpitation. I have learned a few songs from Him sitting behind Dinubabu. But facing Him alone and picking a song had never been a reality. Yet I had to go. I could hear His voice from the foot of the staircase. As if in murmurs. I climbed the stairs slowly, my nerves shaking – He looked up from His copybook, said – ‘Oh you have come, be seated.’
Gurudev was sitting on the balcony, the place for His writing, facing away from the wall. A small lantern in front of Him, the chimney had gathered considerable amount of dirt. He was rehearsing the melody from the copybook in the dim light.
He assured me – ‘Nothing to worry, I know you too would not be able to remember. Yet while showing you the tune several times it would create an impression in my mind, and that is why I have summoned you.’
I was fortunate enough for the test did not happen. I was not at all confident about what I would do alone in front of Him, although the complete melody was in my memory. I had returned at His apartment in the next evening and saw Nutu (Roma Majumdar, Kar) sitting there.
4. Dukkha Jodi Na Pabe ▶️ 14:42
Artiste: Flora Ahmed
Parjaay: Puja
Upa-parjaay: Dukkha
Taal: Kaharwa
Style: Baul Sur
Anga: Baul
Written on: 1914 (1 Ashwin 1321)
Place: Shantiniketan
Notation by: Sudhir Chandra Kar
5. Prochando Garjone Asilo ▶️ 18:48
Artiste: Farhin Khan Joyita
Parjaay: Puja
Upa-parjaay: Dukkha
Taal: Surphank
Anga: Dhrupad
Written on: 1908
Notation by: kangalicharan Sen
Bhanga Gaan
Notes: Derived from a hindi song "…Prachanda Garjan…" (Dhrupad) in raag Bhupali, Taal Surphaktaal.
6. Jete Jete Ekla Pothe ▶️ 21:50
Artiste: Mohiuzzaman Chowdhury
Parjaay: Puja
Upa-parjaay: Dukkha
Taal: Jhampak
Raag: Malhar
Written on: 1914 (26 Bhadra 1321)
Place: Surul
Notation by: Dinendranath Tagore
Notes: This song was composed in the afternoon on 12th September, 1914 while He was travelling by bullock cart from Surul to Shantiniketan.
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Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival, the world’s largest classical music festival in terms of number of performers on a single stage, audience capacity and duration.
Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh.
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