Logic’s collection of instruments is awash with synthesisers and whilst the EFM1 provides some Frequency Modulation synthesis and Sculpture lets us dabble in the world of Physical Modelling, most of Logic’s synths are based on a Subtractive Synthesis engine.
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This week, we’re going to go back to school to find out what Subtractive Synthesis is and to understand how we can use the ‘modules’ of a synthesiser to shape and build new sounds. For many years, I’ve found that explaining Subtractive Synthesis works well if you picture the Olympic rings - five overlapping circles, with each one representing a different module of a Synthesiser. And as it’s an Olympic year, why wouldn’t we?!
👉 Subtractive Synthesis Part 2 https://youtu.be/MWxx--mVvCk
👉 Guide to Logic's Sculpture Synth https://www.youtube.com/playlist?list=PL6JM7SQmyRYwznr4bZ5glI-wh9bqhn9A2
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00:00 Intro
00:43 What is Subtractive Synthesis?
02:24 The Olympic Rings
03:21 What is an Oscillator?
05:28 Synths as musical instruments
07:21 Filters
08:32 Volume/Amplifier
09:23 Synth signal flow
10:43 Sound shaping
11:36 LFOs
16:00 Envelope overview
18:02 ADSR
21:35 Theory summary
22:06 ES M Oscillator and Filter
26:00 Volume section and Decay
28:49 Filter Decay
31:07 Velocity within the ES M
32:15 Overdrive and Glide
32:45 Filter Resonance
35:45 Filter Env with Resonance
36:44 Summary
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