How do we make a loose and spontaneous watercolour painting
more exciting?
In this painting demonstration, I’ll walk you through my techniques
of creating a semi-abstract spontaneous landscape.
I’ll show you how I control water and pigment to achieve
interesting and luminous washes for a simple but dynamic
and atmospheric composition, and how I balance vibrant hues
with quiet moments of light and texture..
Materials used:
PAPER: Baohong Master's Choice 100% cotton 300gsm cold press paper, 17 x 28 cm (6.5 x 10 in)
PAINTS:
Perylene Green (Daniel Smith)
Olive Green (Daniel Smith)
Jadeite Genuine (Daniel Smith)
Indigo (Michael Harding)
Indian Yellow (Schmincke Horadam)
Cadmium Yellow Medium ((Schmincke Horadam)
Carbazole Violet (Daniel Smith)
Burnt Umber (Daniel Smith)
Sepia (Daniel Smith)
Lavender (Daniel Smith)
Gouache Zinc White (Winsor&Newton)
BRUSHES:
NEEF Thomas W Schaller Mops sizes 2; 3/0
Panart Global Flat 1121 Size 12
Art Basics Hake 30mm
Princeton Select Liner
Black Silver by Dynasty Rigger Size 4
Roymac Rigger Size 2
NEEF Master's Point Sizes 3/0; 10/0
OTHER MATERIALS:
Ceramic mixing palette https://www.etsy.com/au/shop/thehavenscollection
MEEDEN Well Palette
Hand towel or dishwashing sponge (to dab the brush on to remove excess water)
Spray Water Bottle
Tissues
Pencil
Eraser
**My website: https://anastasiamily.com/
**My Instagram: @AnastasiaMilyArt
Music: "Call of the Soul" by LightMusic from Pixabay.com