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Mastering Pentatonic Lines No.13: Unleashing The Power of Substructures and Upper Structures

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šŸŽ¹ Lesson 13: The VI Minor Pentatonic Over Maj7 and Maj6 Chords
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Pentatonic lines don’t always have to be fast or intricate. Today, we’ll focus on a melodic and harmonic approach by using the VI minor pentatonic scale over maj7 and maj6 chords.

šŸ“Œ Step 1: Understanding Maj7 and Maj6 Interchangeability
āœ” Maj7 and Maj6 serve the same harmonic function and can be interchanged.
āœ” Maj6 avoids the b9 dissonance when the melody contains the root.

šŸŽ¶ Examples:
šŸ”¹ Cmaj7 (C–E–G–B) → C6 (C–E–G–A)
šŸ”¹ Abmaj7 (Ab–C–Eb–G) → Ab6 (Ab–C–Eb–F)

šŸ’” Takeaway: Using maj6 instead of maj7 can smooth out harmonic tension and improve melodic flow.

šŸ“Œ Step 2: The VI Minor Pentatonic as a Source of Melodic Lines
Instead of using the major pentatonic, we’ll focus on the minor pentatonic built on the 6th degree of the chord.

šŸŽ¶ Examples:
āœ” Cmaj7 → A minor pentatonic (A–C–D–E–G)
āœ” Abmaj7 → F minor pentatonic (F–Ab–Bb–C–Eb)

šŸ”¹ Why does this work?
āœ… Contains all the chord tones of a maj6 chord.
āœ… Includes the 9th, adding a rich color.
āœ… It’s also the major pentatonic from a minor perspective!

šŸ’” Takeaway: Thinking VI minor pentatonic instead of major pentatonic can open new melodic possibilities.

šŸ“Œ Step 3: Application in Today’s Exercise
šŸŽµ 16-measure exercise covering 8 different maj7 chords.
šŸŽµ Left-hand voicings often use maj6 instead of maj7.
šŸŽµ Right-hand lines focus only on the VI minor pentatonic.
šŸŽµ Syncopation adds rhythmic complexity and phrasing depth.

šŸ’” Takeaway: Practicing this exercise will internalize the VI minor pentatonic sound and enhance your phrasing.

šŸ“Œ Step 4: Practicing in All Keys
šŸŽÆ Play this in all 12 keys to master the concept.
šŸŽÆ Listen carefully to the difference between maj7 and maj6.
šŸŽÆ Syncopation makes phrasing more challenging—start slowly and stay accurate.
šŸŽÆ Use this technique to create smooth, lyrical pentatonic lines over major chords.

šŸ”„ Final Takeaways:
āœ” Maj7 and Maj6 are interchangeable—use maj6 to avoid tension.
āœ” VI minor pentatonic provides a fresh melodic approach to major harmony.
āœ” This scale naturally outlines maj6 chords and adds rich colors.
āœ” Practicing in all keys will internalize this melodic technique.
āœ” Syncopation enhances phrasing—focus on rhythm!

šŸŽÆ Challenge: Apply VI minor pentatonic phrasing in a solo over a jazz standard like Misty or All the Things You Are! šŸŽ¹

Lesson 13
Chapters
0:00 Pentatonic Lines Exercise 13
3:25 How To Practice Pentatonic Lines
4:04 Call & Response Pentatonic Line No.13

#JazzPiano #PentatonicLines #VIminorPentatonic #Maj7VsMaj6 #JazzImprovisation #Syncopation #UpperStructures #LyricalPentatonics #mDecksMusic

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