Mathematical concepts have often been used to create new structural forms in fiction, as in the works of Raymond Queneau and Jorge Luis Borges.
The members of Queneau’s Oulipo group (including Georges Perec and Italo Calvino) sought to create works using various constraints as an impetus to innovation.
Eleanor Catton’s The Luminaries (2013) continues in this tradition. And mathematical concepts have even been used as plot devices, such as series of dastardly murders made possible by the mathematical idea of “non-transitivity”.
A lecture by Sarah Hart
The transcript and downloadable versions of the lecture are available from the Gresham College website:
http://www.gresham.ac.uk/lectures-and-events/maths-fiction
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