Thanks to Rodrigo de Piérola, Reagan McCann, Olivia Andersson, Fergus, Stanislav Kogan, Jon Chen, Christian Hasselberger and Frisky Maulida for their insightful questions!
0:15 Why do US percussionists play Cajóns the way that they do?
3:50 What should you do in order to back out of a gig for a higher paying one?
6:19 What is your advice for a trans musicians entering college?
8:03 Why is musicianship so high in NYC?
9:59 How should transients line up when you time-align music in a DAW?
11:25 What do you mean about the “craft” of pop music making?
15:42 Talk to me about bass effects, please!
17:38 If you knew about the Myth of Sisyphus before your recital, why did you still get depressed afterwards?
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Peace,
Adam