Raag Charukeshi | Tabla and Sitar Indian Classical Music | Praveen Hugar | Swaravandana Baithak

Raag Charukeshi | Tabla and Sitar Indian Classical Music | Praveen Hugar | Swaravandana Baithak Raag - Charukeshi Sitar - Shri. Praveen Hugar Tabla - Kumar Hemant Joshi Organiser- @SwaraVandana Audio/video - @Vinayak_Inamadar __________________________________________ About artists PRAVEEN HUGAR born in a musical family. He is a young and talented sitar artist. Initially he began his musical Journey under the tutelage of his father Shri Gurusangappa Hugar, a well-known Tabla artist and he hails from the parampara of Sitar Ratna Rahimat Khan of Indore -Dharwad Gharana. He is the disciple of Ustad Shafique Khan , sixth generation Khandani Sitarist , an international performer and A-Top artist of Akashvani and Doordarshan. Master. Hemant Joshi, born on 06.04.2006 at Dharwad-Karnataka, in Music Family. (Father Sri Venugopal Joshi and Mother Smt Veena Joshi, Vocalists, and are disciples of Late. Pt.Vasantrao Kadnekar, Goa). He expressed inclination towards Tabla at the tender age of 8 months, He started learning at the age of 2 under the guidance of Sri. Satish Hegde Ji, at Goa, where Hemant had started his Tabla journey. After few years Hemant started learning under the tutelage of Sri.Srivatsa Kowlgi (disciple of Pt.Sri.Ravindra Yavagal, Bangalore). At present, he is learning under the tutelage of world renowned Tabla Maestro Pandit. Ramdas Palsule Ji (Pune) (Disciple of Talayogi Pt. Suresh Talwalkar Ji) __________________________________________ Raag Charukeshi Raag Charukeshi is a captivating and versatile raga that belongs to the Karnatak (Carnatic) music system but is also used in Hindustani music. It evokes deep emotions, often associated with devotion, longing, or introspection. Basic Information: Thaat (Parent Scale): Kafi (in Hindustani) Melakarta (Carnatic Parent Raga): 26th Melakarta Arohana (Ascent): Sa Re Ga Ma Pa d n Sa Avarohana (Descent): Sa n d Pa Ma Ga Re Sa Vadi (Most Important Note): Dha Samvadi (Second Most Important Note): Ga Musical Features: Mood/Emotion: Evokes pathos (karuna rasa), devotion (bhakti), and sometimes a sense of yearning. Time of Performance: Late evening or night. Nature: It is a sampoorna raga (all seven notes present) and is close to the natural minor scale in Western music. Similar Ragas: Nat bhairav share some similarities. Usage in Hindustani & Carnatic Music: In Hindustani music, it is occasionally used but is not as prominent as in Carnatic music. In Carnatic music, it is widely used in compositions and improvisations. Popular Compositions: Carnatic: Adamodi Galade (Thyagaraja) Kripajaladhi (Muthuswami Dikshitar) Hindustani: Some bandishes exist, but it is more commonly explored in instrumental music. #ragacharukeshi #indianclassicalmusic #tabla #sitar #indianmusic #sitarrecital #praveenhugar #swaravandanabaithak #instrumentalmusic