Beautiful rendition of Raag Bhinna Shadja by Dr. Ashwini Bhide Deshpande.The music in this video is the original recording from the album 'Ashwini Bhide-Deshpande – Classical Vocal Vol. 1', released in 1996.
00:00 - Madhyalay Khayal : Barasan Lagi Badariya
16:18 - Drut Khayal : Ja Re Ja Re Ja Ja Kagawa
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Raga: Raga Bhinna Shadja
Taal: Teentaal
Composition: Barasan Lagi Badariya
Ja Re Ja Re Ja Ja Kagawa
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura : Saniya Kulkarni
Tabla: Shri. Bharat Kamat
Harmonium: Shri. Arvind Thatte
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📝Lyrics:
************ Barasan Lagi Badariya ************
बरसन लागी बादरिया
चमके दमके सखी दमिनिया |
कोयालिया बोले मोरे अंबुवा
पिऊ पिऊ टेरत मोर पपैहा ||
********** Ja Re Ja Re Ja Ja Kagava **********
जा रे जा रे जा जा कगवा
इतानो संदेसा मेरो काहियो जा |
जाये कहियो पिया को मोरे
उनबिन लागे ना जिया मोरा ||
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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