Beautiful Rendition of Raag Malkauns by Vidushi Ashwini Bhide Deshpande Live at Gunidas Sangeet Sammelan held at Ravindra Natya Mandir, Mumbai on 5th Feb 2021.
00:00 - Vilambit Khayal : Naad Sagar Aparampar
40:41 - Drut Khayal : Ko So Batau Antar Man Ki Bitha
______________________________________________________
Raga: Raga Malkauns
Taal: Roopak(Vilambit)
Teentaal(Drut)
Composition: Naad Sagar Aparampar
Ko So Batau Antar Man Ki Bitha
Composer: Dr. Ashwini Bhide Deshpande
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura & Vocal support: Rutuja Lad
Swarangi Marathe
Tabla: Pt. Vishwanath Shirodkar
Harmonium: Smt. Seema Shirodkar
______________________________________________________
📝Lyrics:
************ Naad Sagar Aparampar ***********
स्थाई : नाद सागर अपरंपार
महाकठीन जाको पायो ना पार |
अंतरा : रागन कि नैयां तालन कि पतवार
गुरू खेवटभी ना जाने कब पावे पार ||
******** Ko So Batau Antar Man Ki Bitha *******
स्थाई : मैं को सो बताऊं
अंतर मन की बिथा
ना जानूं कब होवे सुर के दर्शन च
अंतरा : मार्ग न सुझे दस दिस मे
कब हारे प्रभु मन अंधियार
कब होवे सुर के दर्शन
______________________________________________________
About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
______________________________________________________
No copyright owned. These uploads are solely intended for the purpose of sharing this exquisite music, with absolutely no commercial intent. If anyone has concerns or wishes for us to remove them, please contact us at [email protected]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Video Courtesy: