MENU

Fun & Interesting

Riemannian Transformations: Part 1 Schillinger Caught in the Tonnetz

Frans Absil Music 19,515 5 years ago
Video Not Working? Fix It Now

An essential aspect of Neo-Riemannian Theory is chord transformation. This tutorial presents the 3 elementary Riemannian transformations (Parallel, Relative and Leading-tone exchange) and the compound transformations (PL, LP, PR, RP). Each of these is shown for major and minor triads in the Tonnetz diagram and staff notation. Transformations are interpreted in terms of the equivalent Schillinger Symmetric Harmony System Root Cycle, and demonstrated with a very short musical application example. There's a companion document with text, diagrams and score excerpts available in the webshop. Contents: 00:00 What this video is about 00:25 Section 1. Introduction, Neo-Riemannian Theory, Tonnetz, Schillinger Root Cycles 03:18 Section 2. Elementary Riemannian Transformations 04:16 Section 2.1. P-transformation, major triad- parallel minor 06:21 Section 2.2. R-transformation, major triad - relative minor 07:43 Section 2.3. L-transformation, major triad - mediant minor 08:52 Section 2.4. P', R' and L' inverse transformations, minor - major 10:41 Diatonic root cycles 11:16 Section 3. Compound Riemannian Transformations, chromatic mediants, film music narrative 13:48 Section 3.1. PL-transformation, C to Ab 15:06 Section 3.2. PR-transformation, C-Eb 16:09 Section 3.3. RP-transformation, C-A 17:20 Section 3.4. LP-transformation, C-E 18:20 Section 3.5. LP-trensformation, Cm-Abm 19:30 Section 3.6. RP-transformation, Cm-Ebm 20:53 Section 3.7. PR-transformation, Cm-Am 22:09 Section 3.8. PL-transformation, Cm-Em 23:20 Section 3.9. Triad combinations and symmetric scales 25:47 Summary and conclusion More information: https://www.fransabsil.nl/htm/tonnetz_riemannian_transformations.htm Support video tutorial production on this channel? PayPal donation: https://www.fransabsil.nl/htm/archive.htm Website: https://www.fransabsil.nl #NeoRiemannianTheory #TriadTransformations #SchillingerSystemOfMusicalComposition

Comment