The piece follows standard concerto form. The first movement is brisk and in sonata form, the second movement is slow, and the third movement is fast. The length of the concerto is approximately 29 minutes.
The three movements of the concerto are:
00:00 I. Moderato assai
12:14 II. Andante
18:38 III. Allegro non troppo
| Moderato assai |
The first movement begins in E-flat in common time with the piano playing large and rapid arpeggios. The main theme is then presented by the orchestra. The piano continues the arpeggios while the orchestra elaborates the theme. Later, the piano presents the second theme of the exposition, less rustic than the first, marked molto tranquillo, which is perhaps unique by being played by the piano by itself without any accompaniment, as well as for being in a distant key (D major). A technically brilliant cadenza follows. The cadenza is unusual because it occurs very early in the first movement rather than in its customary place at the end. The development follows after the cadenza. The piano employs many pianistic devices such as parallel octaves, rapid arpeggio and scale figures, and polyrhythms. The recapitulation follows and later the coda, profuse with octaves and large chords. The movement lasts about 14 minutes.
| Andante |
The second movement is in E major and is in 3/4 time. The movement is feverish and slow. The main theme is presented in the orchestra and varied and developed throughout the movement. The movement continues without pause into the third movement. It lasts about 7 minutes.
| Allegro non troppo |
The third movement is in E-flat major and is in 2/4 time. It is rapid and hectic with florid melodies. There are many technical difficulties confronting the soloist, including many octaves, rapid arpeggio and scale figures, and large chords. The concerto ends in an exhilarating coda. It lasts about 8 minutes.
Performed by:
Piano - Louis Lortie
Orchestra - BBC Philarmonic
Conductor - Edward Gardner