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নাম প্ৰসংগ || sandhya prasang || BarunBivor Saikia || সন্ধ‍্যা প্ৰসঙ্গ || বৰুণবিভোৰ শইকীয়া

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#naamprasang #assamese #Srimanta_Sankardev_Sangha শ্ৰীমন্ত শঙ্কৰদেৱ সঙ্ঘৰ প্ৰসঙ্গ প্ৰণালীৰ আৰ্হি মতে সন্ধ্যাবেলা কীৰ্ত্তন কৰা প্ৰসঙ্গ। নামাচাৰ্যই যি স্পষ্ট উচ্চাৰণেৰে চৈধ্য প্ৰসঙ্গ সম্পূৰ্ণ কৰে এনে স্পষ্ট উচ্চাৰণ আৰু সুৱলা সুৰ খুব কমসংখ্যক নামাচাৰ্যৰ মুখেৰেহে শুনিবলৈ পোৱা যায়। প্ৰসঙ্গ প্ৰণালী । শ্ৰীমন্ত শঙ্কৰদেৱ সঙ্ঘ | সন্ধ্যা প্ৰসঙ্গ।। গুৰু ভটিমা।। দেৱ ভটিমা।। গুণমালা।। তোটয়।। চপয়।। লীলামালা।। বৰগীত।। কীৰ্ত্তন।। উপদেশ কৃষ্ণ শঙ্কৰ গুৰু হৰি ৰাম Ekasarana Dharma[4] (Assamese এক শৰণ ধৰ্ম; literally: 'Shelter-in-One religion') is a neo-Vaishanavite religion propagated by Srimanta Sankardeva in the 15th-16th century in the Indian state of Assam. It rejects vedic ritualism and focuses on devotion (bhakti) to Krishna in the form of congregational listening and singing his name and deeds (Kirtan) and (Sravan). It is also referred to as eka sarana hari naam dharma. The simple and accessible religion attracted already Hinduized as well as non-Hindu populations into its egalitarian fold. The neophytes continue to be inducted into the faith via an initiation ceremony called xoron-lowa (take-shelter or sarana), usually conducted by Mahantas who were heads of monastic institutions called Sattras who generally draw apostolic lineage from Sankardev. Some abbots, especially those from the Brahma-sanghati, reject apostolic lineage from Sankardev due to an early schism with the order. Some modern reformation institutions conduct xoron-lowa outside the sattra institution. Institutions propagating Eka Sarana like sattra (monasteries) and village Namghar (prayer houses), had profound influence in the evolution of the social makeup of Assam. The artistic creations emanating from this movement led to engendering of new forms of literature, music (Borgeets or songs celestial), theatre (Ankia Naat) and dance (Sattriya dance). The central religious text of this religion is Bhagavat of Sankardeva, which was rendered from the Sanskrit Bhagavata Purana by Srimanta Sankardeva and other luminaries of the Eka Sarana school. This book is supplemented by the two books of songs for congregational singing: Kirtan Ghoxa by Sankardeva and Naam Ghoxa by Madhabdev. These books are written in the Assamese language. The religion is also called Mahapuruxiya because it is based on the worship of the Mahapurux or Mahapurush (Sanskrit: Maha: Supreme and purush: Being), an epithet of the supreme spiritual personality in the Bhagavata and its adherents are often called Mahapuruxia, Sankari etc. In course of time, the epithet 'Mahapurux' came also to be secondarily applied to Sankardeva and Madhabdev, the principal preceptors. Non-adherence to the Hindu varna system and rejection of Vedic karma marked its character. Though often seen as a part of the wider, pan-Indian Bhakti movement, it does not worship Radha with Krishna which is common in other Vaishnava schools. It is characterised by the dasya form of worship. Historically, it has been against caste system, and especially against animal sacrifices common in other sects of Hinduism, especially Saktism. Noted for its egalitarianism, it posed a serious challenge to Brahminical Hinduism, and converted into its fold people of all castes, ethnicity and religion (including Islam). Reference : Wikipedia

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