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Who is responsible for the scene transitions you see in the movies? The writer or the director?
And how do you decide on what to end a scene with?
Sometimes the job is to make the transition seamless, while at other times you want to draw attention to it.
In this 1-hour masterclass, story developer and screenwriting lecturer Karel Segers opens up the can of worms on this topic, and makes an attempt at semi-academic categorisation.
Your comments are welcome below!
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This is the recording of a live masterclass. For the latest masterclasses, enrol in the Immersion course, or the masterclasses (links below).
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CONTENTS
00:00:00 | START
00:00:13 | Class Overview
00:00:28 | Whose Job is it Anyway?
00:02:59 | The Disaster Artist: Traditonal "CUT TO"
00:04:58 | The Disaster Artist - Inline "CUT TO"
00:05:33 | Transition Tricks
00:06:51 | Q&A in Titanic
00:07:44 | Thematic Echo in 2001: A Space Odyssey
00:08:40 | Misdirection in Highlander
00:09:42 | Distinctions Between Subject and Format
00:11:56 | Illustration in Monsters Inc.
00:12:58 | Illustration in The Matrix
00:14:07 | Illustration in Little Women
00:14:51 | Ellipses
00:16:19 | Subliminal Setups in Crouching Tiger, Hidden Dragon
00:18:08 | Visual Hooks/Echos in Edward Scissorhands
00:19:34 | Matching Shapes in Apocalypse Now
00:21:39 | Matching Shapes in LA Confidential
00:25:18 | The Three C's
00:28:18 | Time, Place & Action
00:37:00 | Little Miss Sunshine - FADE TO BLACK
00:51:24 | Lone Star - MISSING SLUGLINE - MISDIRECTION
00:57:39 | Transition Scenes
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Did you think this was in any way helpful or useful?
I'm keen to hear what you think, as well as what you would like me to cover next. Please comment below, and let us know!
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Thank you.
Karel
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LINKS
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Screenwriting Masterclass | Scene Transitions
https://youtu.be/muOqWrGDmsg
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