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SWITCHING FROM SOPRANO TO ALTO (transposing)

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Recorders come in a range of different keys, and for recorder players that means: TRANSPOSING! Or, learning a new set of fingerings and reading the music in a different way, depending on the recorder you are playing. But how? Why? Which keys will I encounter? How can I tackle this seemingly monumental task? I will try and explain everything and give you some hints and tips for easier transposition! ////// SUPPORT TEAM RECORDER ON PATREON A small monthly donation to Team Recorder will help this channel to grow, and you get great rewards too! http://www.patreon.com/teamrecorder Note: Recorders come in different tunings too (442 Hz modern pitch, 415 Hz baroque pitch etc) - and these do not need to be transposed, they will just sound higher or lower :) Resources mentioned: - 'Altblockflötenreise' by Daniel Hellbach - 'Der Fluyten Lust Hof' by Jacob van Eyck - Renaissance consort music can be downloaded for free at www.imslp.org In this video I play on a 440 soprano by Yamaha (mine sounds more like 438, haha), a 440 G alto by Stephan Blezinger, a 440 F alto by Yoav Ran, and a 415 voiceflute by Tim Cranmore. Oooh SUBSCRIBE to my channel for weekly videos on all aspects of recorder playing! I love to hear from you guys too, so leave me a comment, and tell me if you have a request for a video. ------ Website: www.sarahjeffery.com Twitter/Instagram @sockmyshoe Go #teamrecorder

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