An analysis of William Friedkin and William Peter Blatty's horror classic "The Exorcist," and how it uses a documentary style to tell a story of faith, hope, and love in the face of overwhelming evil.
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#TheExorcist
#Horror
Music:
"Tubular Bells" by Mike Oldfield
"Dusk" by HOME
"La Morte della Speranza" by Mitch Murder
"The Shape is Monumental" by John Carpenter
"Collapse" by Michiru Oshima
"To Know, Water" by Austin Wintory
"Good in Red" and "Monsters" by The Midnight
Sources:
https://birthmoviesdeath.com/2012/05/08/collins-crypt-the-exorcist-directors-cut-vs.-theatrical-versions
https://www.ign.com/articles/2000/09/20/interview-with-the-exorcist-writerproducer-william-peter-blatty
https://www.washingtonian.com/2015/10/19/think-the-exorcist-was-just-a-horror-movie-author-william-peter-blatty-says-youre-wrong/
https://www.americamagazine.org/arts-culture/2019/04/05/william-peter-blatty-why-there-good-exorcist
https://www.theguardian.com/film/2018/apr/24/william-friedkin-interview-exorcist-director-you-dont-know-a-damn-thing-and-neither-do-i
https://cinephiliabeyond.org/a-discussion-with-william-friedkin/