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In this video I dive into the complicated history of how American Film Acting evolved from classical Hollywood theatricality into contemporary naturalism and why nobody can agree on what "Method Acting" actually is.
Editing By @BenFromCanada
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// Sources:
- See Full Bibliography and References Here: https://open.substack.com/pub/thomasflight/p/why-does-acting-feel-so-different?r=3ms9l&utm_campaign=post&utm_medium=web
- Brestoff, Richard. The Great Acting Teachers and Their Methods. Smith & Kraus, 1995.
- Butler, Issac. The Method : How the Twentieth Century Learned to Act. New York, Bloomsbury Publishing, 2022.
- Uta Hagen. Respect for Acting. 1973. Hoboken, N.J., John Wiley & Sons, 2008.
- Kissel, H., & Adler, S. (2000). Stella Adler - The Art of Acting. Hal Leonard Corporation
- Benedetti, Jean. Stanislavski : An Introduction. London, Methuen Drama, 1982.
- Konstantin Stanislavsky, and Jean Benedetti. An Actor’s Work : A Student’s Diary. London ; New York, Routledge, 2010.
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#ThomasFlight #VideoEssay #acting
0:00 Why Does Acting Feel So Different Now?
06:04 Part 1: 'I Don't Follow The Method'
12:34 Part 2: The True Birth of The Method
20:08 Part 3 The System (Or How Modern Acting Was Born)
33:24 Part 4: Why Nobody Understands Method Acting
37:53 Part 4b: The Invention of "Going Method"
44:32 Part 5: "There Is No System"
Correction:
19:40 Stella Adler was not one of Strasberg's students- They were in the same theatre group before they had a falling out.