A. R. Rahman speaks with Anupama Chopra about his latest production, Headhunting to Beatboxing, a documentary that celebrates the musical renaissance of Nagaland. Rahman shares his long-standing fascination with Nagaland's musical culture and his reasons for producing the documentary. He emphasises the importance of integrating the culture and music of the North East into the mainstream. Additionally, Rahman discusses his experience composing for Amar Singh Chamkila and how he drew inspiration from legends like Madan Mohan for the song "Vida Karo." The musical maestro also talks about embracing technology, using AI positively, and staying attuned to audience preferences and current trends.
#FCAtCannes in Association with:
Entertainment Partner: Airtel Xstream Fiber (#AirtelXstreamIndia)
Beauty Partner: Lakme
Podcast Partner: @AmazonMusicIN
Travel Partner: Air France
00:00 - At Cannes'24 with A.R. Rahman
00:30 - A.R. Rahman the producer
02:22 - Home being where the music is, and the music of Nagaland
03:48 - Where did Rahman’s soft corner for the North East originate
04:17 - Constructing music for more than 30 years, and the pursuit of excellence
06:06 - Judging your own music
07:13 - Getting messages from his daughter
09:47 - Moving ahead with AI
11:27 - Where does Rahman keep his awards
13:37 - What does he like to do most at Cannes?
14:51 - Being an instrument himself
15:32 - Rahman’s inspirations
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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.